Hajime Sorayama 空山基


Born in Ehime, Japan, 1947. Currently works and lives in Tokyo.

Sorayama graduated from Central Art School (Chuo Bijutsu Gakuen) in Tokyo in 1969 and started his career path as an illustrator. He is known for erotic portrayals of feminized, biomechanoid robots. This reputation was initially established in 1978 with the work series entitled “Sexy Robot”, which shocked the world for his artful depictions of sensual metallic qualities. In an age of virtual reality porn, anatomically correct droids, and actual artificial intelligence sex robots, Sorayama’s work stands as an origin point for everything related to sex and technology. He took the cold, calculating science-fiction idea of a robot and gave it sexual qualities, portraying his hyper-realistic “sexy robots” in suggestive or pinned-up positions. As a result, the “gynoid” or “fembot” became his signature work, taking the inhuman and blending it with his view of women as “goddesses” to create curvy, lustful, traditionally feminine figures cast in the metallic sheen and emotionally detached programming of a robot.

The artist has been depicting robotized creatures including both terrestrial and aquatic animals, and dinosaurs since 1980s. He commented the dinosaurs were "childhood idols", as he still has interest and enthusiasm for them in adulthood. In 1999, Sorayama was awarded The Good Design Grand Prize from the Ministry of Trade and Industry, and the Media Arts Festival Grand Prize from the Agency from Cultural Affairs for his concept design of SONY’s entertainment robot “AIBO”. Sorayama’s designs are a blend of fine art, illustration, and industrial design, developing his unique style of Superrealism.

1947 年出生於日本愛媛縣。目前在東京工作和生活。

空山基於 1969 年畢業於東京中央美術學院,並投身廣告界開始了他的插畫師生涯。空山以女性化的生物機械人的性感作品而聞名,他的名氣是在 1978 年憑藉名為「性感機械人」的系列作品建立起來的,該系列作品以他巧妙的對金屬質感進行性感的人性化描繪而震驚了世界。在虛擬實境色情、符合解剖學的機器人和真正的人工智慧性愛機器人的時代,空山的作品代表了與「性」和「技術」的聯繫。他採用了科幻小說中冰冷而精於算計的機器人理念,並賦予了它性感的特質,以挑釁或固定的姿勢描繪了他超現實的「性感機器人」。「女性機器人」成為了他的標誌性作品,將非人性與他對「女神」的想像相融合,創造出曲線優美、性感、傳統的女性形象,並在金屬光澤和情感超然的編程中展現。

自 1980 年代以來,這位藝術家一直在描繪機械化生物,包括陸生動物、水生動物以及恐龍。 他評價恐龍為他的兒時偶像,甚至在成年後仍然對牠們充滿了興趣和創作熱情。 1999年,空山憑着SONY的娛樂機械人「AIBO」的概念設計獲得了全國優良設計大獎和日本文化廳媒體藝術祭大獎。 他的設計融合了藝術、插畫和工業設計,形成了藝術家獨有的超現實主義風格。


PREVIOUS EXHIBITIONS