Ryuichi Ohira 大平龍一


Born in 1982 in Tokyo, Japan.

Ohira uses wood carving as his lead method of working, creating works by taking apart and rebuilding the hidden symbols in society, ancient Japanese faiths and worship. In recent years, Ohira has returned his attention to the original characteristics of this material, producing sculptures that “remain undefined in meaning” motivated by his mindless absorption and unreasonable impulse –both of which can be regarded as primal instincts of human creativity. Now he is represented by the contemporary art gallery NANUZKA UNDERGROUND.

He participated in exhibitions including "SYNDROME" (solo show, NANZUKA UNDERGROUND 1F, Tokyo, 2022), "The Yellow Portal" (solo show, 2G Tokyo & 3110NZ, Tokyo, 2021), "CAR BONE DRAGON" (solo show, TSUTAYA - SHOTEN Ginza, Tokyo, 2021), "PINEAPPLE” (solo show, Mitsukoshi Contemporary Gallery, Tokyo, 2020), and "JP POP UNDERGROUND" (Shinsaibashi PARCO 14F, Osaka, 2020).

1982年出生於日本東京。

大平龍一以木雕為主要的創作手法,通過解構在日本社會、古代信仰和崇拜中的隱藏符號來創作作品。近年來,藝術家將注意力回歸到材料的原始特性上,創作出各種「意義不明」的雕塑;其靈感來自於他自身的盲目專注和不合理的衝動 ―― 這兩者都可以被視為人類創造力的原始本能。

藝術家曾參與展覽包括:「SYNDROME」(NANZUKA UNDERGROUND,東京,2022)、「The Yellow Portal」(3110NZ,東京,2021)、「CAR BONE DRAGON」(銀座蔦屋書店,東京,2021)、「菠蘿」(三越當代畫廊,東京,2020)和「JP POP UNDERGROUND」(心齋橋 PARCO,大阪,2020)等等。


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